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	<title>stefan sonvilla-weiss</title>
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	<link>http://www.sonvilla-weiss.org</link>
	<description>Stefan Sonvilla-Weiss is professor and head of the international MA program ePedagogy Design – Visual Knowledge Building at the University of Art and Design Helsinki</description>
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		<title>My new book project: MASHUP CULTURES</title>
		<link>http://www.sonvilla-weiss.org/?p=77</link>
		<comments>http://www.sonvilla-weiss.org/?p=77#comments</comments>
		<pubDate>Thu, 18 Mar 2010 16:26:33 +0000</pubDate>
		<dc:creator>Stefan Sonvilla-Weiss</dc:creator>
				<category><![CDATA[Latest Posts]]></category>

		<guid isPermaLink="false">http://www.sonvilla-weiss.org/?p=77</guid>
		<description><![CDATA[People connect globally by means of social networking tools. The social networkers of today hold accounts in several social networks such as Facebook, Twitter, Myspace, Studivz, Xing, and StayFriends; they twitter with their iPhone, stream life video messages on seismic, inform their community via blog entries and publish videos on Youtube. However, this is not good enough by half: it takes them ping.fm (which actualizes all your accounts with a single message) to manage their content overdose. They will not omit Tweetdeck, as this desktop application allows them to quickly overview and select messages coming from several social media applications at the same time. Last but not least the RSS-reader keeps their Blog/website updates in a structured reading mode. Seeing the bigger picture of the so-called media hype that evolved through the networking practices of social media is not the point: "Getting there is not what you want," "Being there is what you want."
]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-160" title="cover_web" src="http://www.sonvilla-weiss.org/wp-content/uploads/2009/04/cover_web.jpg" alt="cover_web" width="119" height="174" /><a href="http://www.springer.com/springerwiennewyork/art/book/978-3-7091-0095-0" target="_blank"><strong>Mashup Cultures</strong></a><br />
Sonvilla-Weiss, Stefan (Ed.)<br />
1st Edition., 2010, 256 p. 41 illus., Softcover</p>
<p>ISBN: 978-3-7091-0095-0</p>
<p>Springer Wien-New York</p>
<ul class="bigListIcons">
<li> Appears on the occasion of the fifth anniversary of ePedagogy  Design &#8211; Visual Knowledge Building study program at the University of  Art and Design Helsinki</li>
<li> Includes contributions by Henry Jenkins, Mimi Ito, David Gauntlett  and many others</li>
</ul>
<p class="springerHTML">This volume brings together cutting-edge  thinkers and scholars together with young researchers and students,  proposing a colourful spectrum of media-theoretical, -practical and  -educational approaches to current creative practices and techniques of  production and consumption on and off the web. Along with the  exploration of some of the emerging social media concepts, the book  unveils some of the key drivers leading to participatory engagement of  the User.</p>
<p>Mashup Cultures presents a broader view of the effects and  consequences of current remix practices and the recombination of  existing digital cultural content. The complexity of this book, which  appears on the occasion of the fifth anniversary of the international MA  study program ePedagogy Design – Visual Knowledge Building, also by  necessity seeks to familiarize the reader with a profound glossary and  vocabulary of Web 2.0 cultural techniques.</p>
<p><span style="font-weight: bolder">Content Level »</span> <span>Professional/practitioner</span></p>
<p><span style="font-weight: bolder">Keywords »</span> <span> <span>collective memory</span> </span><span> <span> &#8211; </span> <span>content</span> </span><span> <span> &#8211; </span> <span>creative commons</span> </span><span> <span> &#8211; </span> <span>creativity</span> </span><span> <span> &#8211; </span> <span>crowdsourcing</span> </span><span> <span> &#8211; </span> <span>e-learning</span> </span><span> <span> &#8211; </span> <span>fair use</span> </span><span> <span> &#8211; </span> <span>filesharing</span> </span><span> <span> &#8211; </span> <span>folksonomy</span> </span><span> <span> &#8211; </span> <span>free culture</span> </span><span> <span> &#8211; </span> <span>mashup art</span> </span><span> <span> &#8211; </span> <span>network</span> </span><span> <span> &#8211; </span> <span>remix culture</span> </span><span> <span> &#8211; </span> <span>second order gaming</span> </span><span> <span> &#8211; </span> <span>social media</span> </span><span> <span> &#8211; </span> <span>swarm intelligence</span></span><br />
<strong>Table of contents</strong><br />
Stefan Sonvilla-Weiss: Introduction: Mashups, Remix Practices and the  Recombination of Existing Digital Content;  Axel Bruns: Distributed  Creativity: Filesharing and Produsage; Brenda Castro: The Virtual Art  Garden: A Case Study of User-centered Design for Improving Interaction  in Distant Learning Communities of Art Students; Doris Gassert: &#8220;You met  me at a very strange time in my life.&#8221; Fight Club and the Moving Image  on the Verge of &#8216;Going Digital&#8217;; David Gauntlett: Creativity,  Participation and Connectedness: An Interview with David Gauntlett;  Mizuko Ito: Mobilizing the Imagination in Everyday Play: The Case of  Japanese Media Mixes; Henry Jenkins: Multiculturalism, Appropriation,  and the New Media Literacies: Remixing Moby Dick; Owen Kelly: Sexton  Blake &amp; the Virtual Culture of Rosario: A Biji; Torsten Meyer: On  the Database Principle: Knowledge and Delusion; Eduardo Navas:  Regressive and Reflexive Mashups in Sampling Culture; Christina  Schwalbe: Change of Media, Change of Scholarship, Change of University:  Transition from the Graphosphere to a Digital Mediosphere; Noora Sopula  &amp; Joni Leimu: A Classroom 2.0 Experiment; Stefan Sonvilla-Weiss:  Communication Techniques, Practices and Strategies of Generation &#8220;Web  n+1&#8243;; Wey-Han Tan: Playing (with) Educational Games &#8211; Integrated Game  Design and Second Order Gaming; Tere Vadén interviewed by Juha Varto:  Tepidity of the Majority and Participatory Creativity; Glossary; About  the Authors</p>
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